Got lost traveller¿

1.5M ratings
277k ratings

See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
aro-ace-ave-maria
destiny-islanders

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If there was a way to run SUPER MEGA AD BLOCKER on this website I fucking would

celticpyro

“Please oh please open up your computer to a porn virus! If you don’t you’re evil!”

history-student-against-antis

Freeloader Comin’ through!

gizensha

We didn’t start this war internet users have with ads - We might have moaned about banner ads, but it was only when they started making noises when we might be listening to music or a podcast or whatever, causing two sound sorces at once, that we started trying to block ads universally rather than just a specific type of ad (pop ups).

And since then ads have gotten worse - Actual malware rather than merely breaking one of the fundamental sins of web design - though shalt not autoplay anything with sound. And the more aggressive a website is with ‘please turn off adblock’ the less I trust it to bother to vet ads and advertisers to make sure they’re not installing malware.

bramblepatch

Not to mention that the idea that avoiding ads is “freeloading” is hilariously backward. Advertisement is a transaction between the platform and the advertiser, the user has no obligation to provide the views/clicks the platform has promised. Using an adblocker isn’t freeloading in the same way that leaving the room to get a snack during a commercial break isn’t cheating the tv network.

pocosun

Ok y’all, I work as a web developer and I’m here to tell you that you are 100% right and that it’s shit. SO I’m going to tell you how to get around websites that block you from using their website if you’re using an adblocker. 

Every website uses a language called JavaScript; long story short it’s a website language that allows developers to do the crazy shit you see on websites. Now the easiest thing to do is to disable JavaScript to stop them from knowing you have an adblocker:


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Oh no! I’m blocked from viewing the website. It would be a terrible shame if I were able to right click and select the “inspect” feature

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Click the three dots in the top right and open the “Settings” Menu

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And then scrolled down to “Debugger” and checked the “Disable Javascript Option”

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And then just refreshed the page

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eggfucker1

Reblogging to save my life

doublekaiju

saving a life

milliardpeacecraft

Saving lives with this reblog

haveievermentioned
thedreadvampy

male gaze is not 'when person look sexy' or 'when misogynist make film'

death of the author is not 'miku wrote this'

I don't think you have to read either essay to grasp the basic concepts

death of the author means that once a work is complete, what the author believes it to mean is irrelevant to critical analysis of what's in the text. it means when analysing the meaning of a text you prioritise reader interpretation above author intention, and that an interpretation can hold valid meaning even if it's utterly unintentional on the part of the person who created the thing. it doesn't mean 'i can ignore that the person who made this is a bigot' - it may in fact often mean 'this piece of art holds a lot of bigoted meanings that the author probably wasn't intentionally trying to convey but did anyway, and it's worth addressing that on its own terms regardless of whether the author recognises it's there.' it's important to understand because most artists are not consciously and vocally aware of all the possible meanings of their art, and because art is communal and interpretive. and because what somebody thinks they mean, what you think somebody means, and what a text is saying to you are three entirely different things and it's important to be able to tell the difference.

male gaze is a cinematographic theory on how films construct subjectivity (ie who you identify with and who you look at). it argues that film language assumes that the watcher is a (cis straight white hegemonically normative) man, and treats men as relatable subjects and women as unknowable objects - men as people with interior lives and women as things to be looked at or interacted with but not related to. this includes sexual objectification and voyeurism, but it doesn't mean 'finding a lady sexy' or 'looking with a sexual lens', it means the ways in which visual languages strip women of interiority and encourage us to understand only men as relatable people. it's important to understand this because not all related gaze theories are sexual in nature and if you can't get a grip on male gaze beyond 'sexual imagery', you're really going to struggle with concepts of white or abled or cis subjectivities.

radley-writes

:whispers: also Death of the Author means you have to exercise self-criticism and recognise the bias YOU as the audience bring to interpreting a piece of work. Yes, your reading is valid. But to what extent are you extrapolating from your own experiences, privileges & lacks of privilege, past traumas, etc.? How might this affect your interpretation of the text?

More people need to understand that part, too.

the-modern-typewriter
the-modern-typewriter

Escapology

“The game,” Damien murmured against Lysander’s ear, “is simple. Are you paying attention? I’ll only say it once.”

Lysander twisted his head on the plush mattress, trying to get a good look at the other man behind him. He couldn’t. Damon’s grip was firm on Lysander’s wrists, and the weight of him kept Lysander easily pinned down to the bed. Lysander did his best to pretend he didn’t enjoy that as much as he did.

“I’m going to set the timer for one minute,” Damien said. “And, every time you fail to escape within those sixty seconds, I’m going to make the task more difficult for you.”

“I’m not going to fail,” Lysander said. “Do you seriously still think I don’t know how to get out of a pair of handcuffs?”

“We’ll find out, won’t we?” Damien’s voice was perfectly placid by contrast. “Remember, if you want out, all you have to do is say please.”

“Yeah? How about, ‘screw you?’

“Bit early in the night for that. Maybe I’ll let you if you win.”

“There’s no if!”  

Lysander had been working with some variety of lock for almost as long as he’d had proper motor control in his fingers. He’d always had a weakness for locked things, for secrets, and for the physical and mental puzzle of untangling himself out of any situation he’d found himself in. He knew how to get out of something as simple as a pair of handcuffs! And if he did, perhaps, enjoy being restrained it was an enjoyment made greater by the inability to free himself.

He could always free himself.

Maybe, if he couldn’t, he wouldn’t have ended up in this room. With him.

The conversation, in short:

INT: BAR OUTSIDE OF LYSANDER’S SHOW - EVENING

Enter LYSANDER, daring and brilliant young escape artist, who crosses the room through a flurry of impressed fans and people begging to know just how he does it. He comes across a dashingly handsome man in the process of ordering a drink. This is DAMIEN. They look each other up and down, and strike a conversation. It escalates.

LYSANDER

You didn’t enjoy my show?

DAMIEN

Oh, I enjoyed it. But escape artistry is just a con - you always have a hidden way out. A trick.

LYSANDER

You think it’s a trick? I’d like to see you try and hold me!

DAMIEN

Alright.

LYSANDER

Excuse me?

DAMIEN

I said alright.

LYSANDER

You think you would be able to keep me, a professional escape artist, from escaping you? What, do you tie people up for a living or something?

DAMIEN

Yes.

Lysander stares at him.

DAMIEN

I work at Siren, down the road. The BDSM club. I’m a professional rigger.

Lysander continues to stare at him.

DAMIEN

Have I scared you?

LYSANDER

…So when should I come over?

“Do you have any more questions before we start?” Damien asked.

“You could at least cuff my feet for round one. This is just insulting.”

“That wasn’t a question. Do you have any questions?” Damien asked again, this time with an unmistakable amusement.

Lysander shook his head.

Damien pulled back from him and Lysander rolled onto his back. He propped himself up on his elbows and watched as Damien reached over and started the timer on his phone. He let the small silver key drop down on the bed.

“Are you not even going to try and hold onto it?” 

“55 seconds left…”

Lysander lunged for the key. His hands were behind his back, but he snatched it off the sheets with his mouth and spat it back over his shoulder, only slightly showing off when he caught it deftly. He scraped the silver up against the lock in search of the small hole that would spring him free.

The cuffs clicked loose and he looked up towards Damien with a smirk, somewhere between cocky and disappointed all at once.  

“I told you,” he said. “Honestly, after all your talk I thought you might last at least thirty seconds. They pay you for this?”

Damien hummed, not even watching. He was digging something out of his closet.

“You wouldn’t even have got them on in the first place if I didn’t let you,” Lysander added.

“Yes, yes, you’re very impressive. You did miss one detail though...”

Damien turned to face him, and his smirk back was that of a challenge matched.

Lysander’s spine straightened instinctively; a thrill shooting up him, though his brow furrowed with confusion.

“I said,” Damien set a bag down on the bed. “Escape.” He pounced, and Lysander went down again hard with a yelp and a tangle of limbs. He grappled with Damien’s hands, but was shoved down again, relentlessly. His wrists were yanked behind his back and the lock clicked into place. “I didn’t say, ‘get out of the cuffs,’ did I?”

Oh.

Lysander panted for breath, absorbing that new information in with interest. He tried to hold back a grin.

“Has anyone ever told you that you’re a bastard?”

“Usually around the same time they’re begging me for more.”

He still sounded so calm, so implacable. It made Lysander want to wind him up and up and up until he lost it; another puzzle to undo.

“So how am I supposed to win, then?” Lysander asked, musing. “Get off the bed? Get out of the room?”

“Now you’re getting it.” Damien’s hands were busy wrapping a thick belt around Lysander’s arms, clinching them together at the elbow. “Except, of course, for one small thing.”  He stepped back, and re-set the timer, eyes full of a dark heady promise. “You’re not going to win.”

***

The alarm sounded.

Lysander was not winning.

Damien had bound his ankles after he lost round two, then his knees after round three. After a round four, he attached Lysander’s wrist cuffs to his ankles and left him in a hogtie.

Lysander had just lost round five.

He curled his fist around the key, not about to give it up without a fight. He didn’t have to. The only thing he’d been tasked to do was escape, not obey, or behave by any means. He scrambled back, keeping his gaze locked on Damien, his mind racing through his albeit limited options. Every time he’d managed to get himself free in time so far, he hadn’t managed to get past Damien.

Damien, who sauntered closer now with the sort of lethal grace more commonly seen in jungle cats.

Lysander swallowed.

“You’re looking tired,” Damien said. “Want to give up?”

“I want to point out that I’ve undone all of your ties.”

“And yet here you are, still helpless on my bed.”

Lysander swallowed a second time, but it didn’t make his mouth any less dry, especially when Damien went and said things like that. His back hit the headboard.

“I’m not helpless.”

“Not yet. We’ll get there, don’t worry.”

“I’m not – I don’t –” Lysander floundered. He didn’t know how to finish without lying and lying was not allowed for safety reasons.

Damien paused at the other end of the bed, considering him in turn.

Lysander realised after a beat that he was waiting for the end of the sentence. He exhaled, and squared his shoulders.

“Well,” he said instead. “I’m not going to just give you the key.”

“Of course not.” Damien said. He had that amusement in his voice again. He grabbed Lysander by the ankle cuffs and yanked him bodily down the bed. “Come here, then.”

It felt like Lysander should say ‘I don’t want to be helpless,’ but that wasn’t strictly true. He just didn’t want to let Damien do it. It was one thing during his shows when the various ties were complex spectacles, when he had to be conscious of nerve damage and height and a dozen different variables all at once. Damien wasn’t picking anything complicated that would be a particular mess to get out of. Perhaps that was the point.

Lysander kicked, all but throwing himself off the bed.

Damien reeled him back, working the key free from Lysander’s grip, before wrapping an arm around him.

“I’ll let you pick your forfeit,” Damien said, softly. “Would you like to be blindfolded, or would you prefer to be gagged?”

Neither concept was exactly new to him. None of this was exactly new to him, and yet it was different. He hadn’t expected how intimate it would feel, or the way that he couldn’t find the steady calm he usually found when he was working methodically free for practice. What he normally did was rote. It was him against something inanimate. Knots could be tricky but they were predictable.

It was impossible to think of Damien as something inanimate. Lysander’s heart raced, and he felt hyper-aware of his every movement, and the warmth of Damien’s hands and the scent of his cologne on the air. It was a little intoxicating.

For the first time, Lysander considered the possibility that he might actually lose this bet.

(He was fine with that.)

***

Lysander couldn’t see, couldn’t speak, and couldn’t move an inch. He was, well and truly, stuck.

Christ he couldn’t remember the last time that happened.

His chest rose and fell rapidly as he caught his breath, his muscles trembling with a peaceful sort of exhaustion. He couldn’t possibly get out of this anymore, could no longer fight, so it was okay to settle. His defiance had splintered. In the dark, he was a creature of sensation alone, world narrowed down, no audience to think of. It was overwhelming and…nice.

He didn’t think he’d get this feeling again.

Damien carded his fingers idly through Lysander’s hair, laying on the bed beside him. He seemed to be taking a moment to catch his breath too.

“Alright?” he asked.

Lysander made a sound of agreement.

Damien’s nail trailed down, curving along the edge of Lysander’s jaw, tipping his head up a fraction.

“I suppose,” he said, “that you are not a total con artist.”

Lysander huffed. He supposed he could say the same about Damien not being completely arrogant coming up to an escape artist and telling him he’d clearly never been properly tied up before.

“Ready to come out?”

Lysander was back the following week.

They both agreed it was simply excellent practice after all.

gentrychild
butchpoet

I'm like if a chivalrous knight kissed a fair maiden's hand and said "my lady, I fight for you" and then walked off and immediately tripped over his own armor and fell on the ground

silentmagi

#funny#if the lady's a keeper she would make a funny comment to dissipate the tension#'my good knight though I admire your skills you have no need to fight the whole earth for my sake'

This would be amazing.

traveleorzea

"As I was saying, milady," he springs to his feet, declaring proudly, "I worship the very ground you - " before tripping again.

benditozorrito

#my knight in stumbling armor

neil-gaiman

tagalongifyoudare asked:

Hello!!

First of all, THANK YOU!!! The world has been feeling harder and more hopeless to me in recent years, and individuals like yourself help more than I will ever be able to express to bring light and hope back into my world. Loving and obsessing over gems like Good Omens, and American Gods (the novel at least, I must admit I never saw the show 🙈) have always given me motivation, sparked my creativity, and made me feel so much love for this, often unfortunately cruel, world. I can't express the solace it brings to me when the creators of the things I love are thoughtful and decent human beings. So, again, THANK YOU 🫀🫀🫀

I just finished my second viewing of Season 2 and have a question for you (my apologies if it has already been asked and/or answered and I missed it)!! 

How did you select the song "Everyday" by Buddy Holly? It is absolutely perfect on so many different levels, and for so many different threads and characters, all while still encompassing the perfect feelings of this show. I always include playlists with the stories I write, and often agonize over which song is the best choice for certain moments. You had to pick one song to encompass the entirety of it, and it truly blew me away! 

Thank you this Season and for everything you do; it really does mean the world to so many of us 🫀🫀🫀

neil-gaiman answered:

In February of 1991 (I think) Terry Pratchett and I were staying in the Chateau Marmont hotel in LA. These days it is a very fancy hotel but back then it was pretty manky and run down. We were being put up by a film company and each morning we would fax over an outline for a new version of Good Omens the Movie and each afternoon we’d go to the studio for a meeting and we would realise that nobody had actually read what we had sent over that morning. Then we would go back to the hotel and work on trying to incorporate the studio notes on the outline they hadn’t actually read into what we were doing.

We worked up in Terry’s room because it had heating, and it was incredibly cold in LA that February, especially cold because I was in a chalet out in the grounds and there weren’t heaters or extra blankets or anything in the chalet.

And at some point in there we were talking about music, and I suggested a few scary and ominous songs that might work to signal the end times. And Terry said “What about Buddy Holly’s song Everyday? It sounds so upbeat and cheerful. But what if it was about the end of the world?” And I got all excited at the idea of Everyday being the Good Omens theme song.

So it’s really just there to make Terry happy.

aro-ace-ave-maria
bonesandthebees

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glad to see lollapalooza is going well for lovejoy

bonesandthebees

to everyone in the tags going "oh thank god he's finally will gold from lovejoy instead of wilbur soot from dsmp" wilbur literally made a c!wilbur joke during his last stream a few days ago and has straight up made references to dsmp at gigs I get you think dsmp is cringe now but he sure doesn't

beenovel

THEYRE THE SAME PERSON?!?!???????!!!!

bonesandthebees

oh my god we really are in the joji era

bonesandthebees

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thrilled to tell all of you in the tags that the guy from soothouse, the guy from the jacksucksatlife editor ARG, the guy from the dream smp, the guy from smplive, and the guy who created the egirl song trilogy is all one guy and he performed at lollapalooza to a crowd of 10k people today with his indie rock band